Communicating Astronomy with the Public 2005
Ian Robson, Lars Lindberg Christensen (eds.)
Pages 194-204

 

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Philosophy for the Creation of Astronomical Images

Rector, T.; Levay, Z. G.; Frattare, L. M.; English, J.; Pu'uohau-Pummill, K.
Department of Physics & Astronomy, University of Alaska Anchorage
Space Telescope Science Institute
Department of Physics and Astronomy, University of Manitoba
Gemini Observatory

Abstract:

The quality of modern astronomical data, the power of modern computers and the agility of current image-processing software enable the creation of high-quality images in a purely digital form. The combination of these technological advancements has created a new ability to make colour astronomical images. These programs use a layering metaphor that allows for an unlimited number of astronomical datasets to be combined in any desired colour scheme, creating an immense parameter space to be explored. A philosophy is presented on how to use scaling, colour and composition to create images that simultaneously highlight scientific detail and are aesthetically appealing. This philosophy is necessary because most datasets do not correspond to the wavelength range of sensitivity of the human eye. The use of visual grammar, defined as the elements that affect the interpretation of an image, can maximize the richness and detail in an image while maintaining scientific accuracy. By properly using visual grammar, one can imply qualities that a two-dimensional image cannot show intrinsically, such as depth, motion and energy. In addition, composition can be used to engage viewers and keep them interested for a longer period of time. The use of these techniques can result in a striking image that will effectively convey the science within the image to scientists and to the public. Details of the pictorial examples used are presented in the conference web-proceedings and webcast.

 

 

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(C) 2006 ESA/Hubble & IAU Commission 51